this bandung geographic t-shirt is not fix yet, there is still another bandung geographic t-shirt design on their official website.

Related posts:

1. bandung t-shirt bandung west java indonesia also known as t-shirt city, you...
2. screamous clothing another great clothing company from indonesia Screamous® – acronym of Scream of Us- is a clothing...
3. casual batik t-shirt trying to be designer and dreaming to make indonesian culture...

Related posts brought to you by Yet Another Related Posts Plugin.

feel free to make this avatar picture for your avatar

Related posts:

1. kawasaki ninja 250R reviews A sharp visual contrast to its predecessor, the 2008 Ninja...
2. how to make a logo here some useful tips about how to make a logo,...
3. creative indonesian artwork this several pictures are sample of indonesian artist, some made...

Related posts brought to you by Yet Another Related Posts Plugin.

Staying Sharp
The ability of a knife to maintain a sharp edge after extensive use is a very valuable characteristic. I grit my teeth when I read or hear “Don’t make the steel too hard because then it will be difficult to sharpen.” What nonsense! Yes, there is a tradeoff between edge holding ability (hardness) and toughness but once you use a knife which stays sharp you will never want to use anything else.”

There are two principal mechanisms which cause a knife to become dull, mechanical abrasion and chemical etching. Mechanical abrasion is the main dulling mechanism in carving dry wood. Both mechanical abrasion and chemical etching are important in meat cutting and shaving. Stainless steel razor blades last longer than the old plain carbon steel ones because they are more resistant to attack by the chemicals in the shaving cream.

Edge holding is also intimately connected with the hardness of the blade. Hardness, defined as resistance to penetration, is a measurable quantity. One qualitative measure of hardness is the Rockwell C scale, based on an instrument which presses a diamond stylus with a specific force into the material being tested. The size of the indentation indicates the hardness. Cheap knives and most stainless steel knives have a hardness value of RC 56 to 58. better knives, such as the laminated Swedish Mora blades have a hardness of Rc 58 to 60. Many Japanese woodworking tools have edges with hardness of RC 62 to 64. The difference between edge holding properties of Rc 56 and Rc 62 is ENORMOUS. I try to temper blades to Rc 62. Yes, the steel is more brittle than if it were softer but remember this is a knife, not a pry bar. One consequence of increased edge hardness is that it takes longer to sharpen. With blades of very hard steel you should avoid using ‘Crock Stick’ or other cylindrical sharpening devices. Excessive pressure on a cylindrical sharpening stone with break out a series of little tiny chips from the cutting edge. Use flat whetstones instead.

Raw Materials
Most of my experience has been with plain carbon steel, type 1095, .05 inch thick. The reasons for using 1095, in no particular order, are:
a. That’s what I have available from making Bowscraper blades.
b. It is relatively inexpensive.
c. It is easy to heat treat.
d. It has excellent edge holding properties for wood carving.

1095 can be obtained from Precision Steel Warehouse (http://www.precisionsteel.com) (1-800-323-0740) or Admiral Steel (http://www.admiralsteel.com). Worn out files are another source of high carbon steel similar to 1095. 1095 steel consists predominantly of iron atoms with approximately 0.95 % carbon by weight. Since carbon atoms are lighter than iron atoms (ratio 12/56) 4.5 % of the atoms are carbon and 95.5 % are iron. Another way of looking at it: Every 23′d atom is carbon. An additional small amount of manganese is added to make the steel easier to harden.

Another type of steel, readily available in old saw blades, is L6. Look for an old crosscut saw (misery whip) or Sawzall blades. This is a high carbon steel with some nickel added. The heat treatment procedure for L6 is similar to that for 1095. L6 is slightly less hard and more tough than 1095 for a given heat treating cycle.

One can also buy knife steel from mail order houses that specialize in knife making supplies.
The shade tree knife mechanic should avoid using high-speed steel saw blades or fancy alloys for knife construction. The procedure for heat treating high-speed steel and higher alloy knife steels is much more complicated, involving very high temperatures, exact temperature control and reducing atmospheres to protect the blade from oxidation. That isn’t shade tree any more.

Blade design
The knives I make have fairly short blades. This is because of the experience I had with a laminated Mora knife with a 3 3/4 inch blade, a gift from my late mother in law. It had excellent edge holding properties but the parts of the blade that needed sharpening most frequently were the first 2 inches of the blade and the tip. The middle part of the blade never got dull. From this I concluded that I rarely used the middle portion of the blade so why not eliminate it? Make the blade no more than 3 inches long. I use a tapered tang that fits snugly into a slot in the handle.

Cutting out the blade
Wear safety glasses dammit! It seems to work best when I make the handle first. This is particularly important when making one-of-a- kind handles from antler. After finishing the handle, including the slot for the tang I make a cardboard template of the proposed blade shape to see how it looks in the handle. Next I use an indelible marking pen to transfer the blade shape to the steel. A vice to hold the steel and a hand-held hacksaw can be used to cut out the blade if the steel is in the soft annealed state. Now I use the power jigsaw with a high speed blade to cut the blade to shape. I use the highest speed setting on the saw and stop frequently to lubricate the blade with paraffin wax to keep it from overheating. Some touch-up work with a fine file is always needed to make the back of the blade nice and smooth.

When you are deciding on the blade thickness you are going to use remember that the amount of metal that must be removed is proportional to the length of the blade times the square of the thickness. If you want a blade that is twice as thick then you have to create a pile of metal filings which is 4 times bigger. This why I like making small knives.

Another technique is used for cutting up old annealed crosscut saw blades. ‘Hot sawing’ involves using a dull power jigsaw blade, no lubricant, high speed and lots of pressure. Do it at your own risk! After everything heats up and the sparks fly it will cut very quickly but not give a super smooth edge. The freshly cut edge of the blade will actually be hardened by the transient heating that accompanies the cutting. Hard steel is the sort of thing that ruins files. Consequently you will need to remove the thin hardened layer with a grinder before you do any filing.

Setup for filing the bevel
Ergonomics! If you had infinite patience and dexterity you could hold the knife blank in one hand and the file in the other while you shaped the blade. That would probably be the last knife you ever made. Good ergonomics requires clamping the knife blank at waist height so that you can apply your body weight and muscle power to the file in order to make the bevel quickly, accurately and neatly. Use both hands and apply a very great pressure to the file. I also don’t like getting steel filings all over my workbench. Consequently I fasten a 2by4 to the workbench which extends out about 12 inches. I then clamp the knife blade to the 2by4 and the filings fall onto the floor.

Filing the bevel
In order to get the job done as quickly as possible use three different files. Start with a very coarse file. Try to keep a constant bevel angle over the entire edge. An included angle of 30 degrees is adequate. How do you tell 30 degrees from a handsaw? Easy. That is a 15 degree bevel on each side of the edge. A 15 degree bevel means the length of the bevel is approximately twice the thickness of the blade. over for and up 1. Do 90 % of the work with the very coarse file and finish with the medium and fine files. Keeping a constant bevel angle will pay dividends when it comes time to put a razor-sharp edge on the blade.

About steel and heat treating
This is a description of the way I heat treat 1095 carbon steel knife blades. My personal objective is to make a small knife with exceptional edge-holding properties instead of something that can be used as a crowbar. Consequently the steel near the edge is kept in a very hard state.

Light Weight Theory:
Iron atoms have a simple crystal structure. When you add carbon atoms to an iron crystal lattice the equilibrium position for the carbon atoms is in big holes in the lattice. When the carbon atoms are in the big holes, the annealed state, the properties of the iron + carbon alloy (commonly called steel) is only slightly different from the properties with no carbon. You hardly know the carbon atoms are there at all. The magic happens when you heat the steel lattice above a critical temperature (medium red heat or about 1475 degrees Fahrenheit) and then cool it quickly. Then the carbon atoms get stuck in places where they normally wouldn’t fit, a non-equilibrium condition. The crystal lattice expands slightly because the carbon atoms have pushed the iron atoms farther apart and becomes very, very much harder. The tensile strength and hardness are vastly increased.

The down side of all this is that the steel becomes very brittle. A major for this reason is thermal stress. Unless every part of the steel goes through the exact same cooling cycle there will be parts of the steel where most of the carbon atoms are pushing the iron atoms apart and regions where a smaller fraction of the carbon atoms are distorting the iron lattice. This sets up severe mechanical stress in the steel which may cause it to spontaneously crack.

As quenched the steel is probably harder and more brittle than you want. The hardened steel can be made less brittle and thermal stress relieved, tempered, by heating it to a specific temperature for a specific amount of time. Tempering is always a compromise between hardness and stress relief.

Remember, no carbon = no hardening. You can’t heat treat a nail.

Heat sources
I have used three different heat sources. The first was my Weber barbecue + charcoal briquettes. I did it in the late afternoon so I could see the medium red hot color in the steel. Light up a medium size pile of briquettes, fan them to get them glowing and plunge the steel into the mass. When the steel is medium red quench it. The advantages of the Weber are that you can do large pieces, there is very little danger of overheating the blade and it provides a reducing atmosphere so there is little chance of de-carburizing the blade.

The next furnace I made, good only for small things like carving knives, was a muffle furnace heated by my Bernzomatic torch. Poke a hole in the bottom of a tin can which will accommodate the broad Bernzomatic burner head. Fill the tin can with damp dirt and then jam a 1 inch by 2 inch stick into it to provide the furnace cavity. Pull the stick out and let the dirt dry. Light the torch and play the flame through the hole. Wait until your furnace gets hot before you put in the blade. Simple but effective.

For the two abovementioned methods do the heating in a dimly lit location so you can tell when the blade has a medium red glow. This is a fairly good indication that the correct temperature has been reached.

I also have an electric furnace with a thermocouple thermometer. This gives much better control than the other two methods but may not be as readily available.

Heat treating a blade
The blade should have as smooth a finish as you want at this stage. Remember, once it is hardened you won’t be able to shape it with a file. All you’ll do is ruin the file.

Have some way of holding the blade which will allow it to go from the furnace to the quenching oil. On some knives I wrap a piece of heavy wire around the tang and use that as a handle. Otherwise I use a pair of farrier’s tongs. Make sure your heat source is big enough so that the entire blade is uniformly heated to the same medium red color.
a. Bring the entire blade to medium red heat (1475 deg. F). Don’t leave it in the furnace any longer than necessary and to prevent grain growth don’t get the steel hotter than necessary .
b. Plunge the blade edge first into the quenching bath. Keep the blade vertical. If one side of the blade cools faster than the other then the blade will warp. I use a quart of 30 weight motor oil poured into an old bread pan. Motor oil is cheap but it stinks. David Boye’s book says he used olive oil at one time. Water quenches the blade more quickly than oil and gives a greater risk of warping or cracking.

Were you successful? If you didn’t get the steel hot enough before quenching it will not be hardened. Try to scratch the blade with a file. If you can scratch it then the blade didn’t get hot enough. Sometimes the thermal stress created by quenching is so severe that the blade will spontaneously crack. Consequently the next step, tempering, should be done very soon after the blade has been quenched and hardened.

c. Temper the blade to get the desired hardness: in a kitchen oven at 400 deg F for about 20 minutes. The goal is Rockwell C-62.
Warning: If you put the knife blade in your wife’s oven without thoroughly washing the 30 weight motor oil off you will be in BIG trouble.

Many books give a slightly different recipe for tempering carbon steel. The procedure they follow to temper a quenched and hardened blade is:
1. Polish the hardened blade with emery cloth so you see shiny metal.
2. Heat the blade slowly until you see a colored oxide form on the surface of the blade. When the color is just right plunge the blade into water. (light straw color for a knife to deep blue for a screw driver.) That’s the way it was done by the village blacksmith. Welcome to the 20′th century. I don’t think oxide colors are as accurate as a thermostatically controlled kitchen oven.

Differential Tempering
A differentially tempered blade has a cutting edge which is harder than the remainder of the blade. This is something I didn’t do in the earliest knives I made. I do it now because it looks good but I don’t know if the knife is stronger because of it. If you don’t want differential tempering then skip steps c. and d.

c. Polish the blade with emery cloth so it looks like shiny metal. This is so you can see the oxide colors form on the back as you heat it up the draw some of the temper on the back of the blade.
d. Draw more temper from the back of the blade: Hold the blade in a clamp with the cutting edge in contact with a damp pad of paper towel or rag. With a Bernzomatic torch set to put out a pencil flame, play the torch on the back of the blade until a blue oxide layer forms. Ideally you should have the entire blade blue except for the edge.

This is easy to screw up. If you don’t do a good job of keeping the blade edge cool with the damp rag and the blue oxide forms on the cutting edge then there will be a soft spot which will not stay sharp. Practice your heat treating and tempering techniques on scraps until you are confident. Buena suerte.

Japanese swords are hardened and differentially tempered in one process. The un-tempered blade is coated with clay except for the cutting edge. The sword is then heated red hot and plunged into water. The clay layer slows down the cooling rate on the body of the sword and prevents it from becoming fully hard. The cutting edge, exposed directly to the water, cools very quickly and becomes very hard. I think this would take a lot of skill.

Un-heat treatment
What if you are starting with old cross cut saw blades or files which are already hard? Do yourself a favor and anneal the steel before trying to shape it. Heat it up to red heat and let it cool very slowly (hours).

The handle
There are several options for handle materials and ways of fastening the blade to the handle. I will describe what I have been doing lately. If you want other options then consult David Boye’s book. I have been making handles from osage orange, yew, iron bark eucalyptus, and manzanita wood but my favorite material is reindeer antler.

Shrinkage is the biggest danger with wooden handles. If you epoxy the blade into a piece of wood with some residual moisture then the wood is liable to crack as moisture evaporates and the wood shrinks. The way to avoid this is to thoroughly dry the wood handle before mounting the blade. Leave the handle in your car for a week or so during the summer or put it in the oven set at the lowest possible temperature (150 degrees) for a few hours.

Antler seems to be dimensionally stable and not need this sort of treatment.

The blades I make have a V shaped tang which fits into a slot in the handle. In order to make the slot I first drill a 3/16 inch hole in the handle the length of the tang. Next I form the slot with my ‘float’. This tool cuts a slot which is exactly the width of the tang. It is best to clamp the handle in a vice so that both hand can hold the tool for power and control.

Once the slot has been cut then you can shape the handle. I cut the slot before shaping the handle because if you accidentally get the slot off center you can shape the handle to bring it back to the center. It is also easier to hold the wood in a vice if it has parallel sides. If you shape the handle first and then cut the slot it will look bad if it isn’t exactly in the middle.

I attach the blade to the handle with 30 minute epoxy.

Knives which were made using these techniques can be viewed in the PrimitiveWays Trading Post.

Tool Set
All of the operations in knife making can be done with hand tools but I am the impatient type. The power tools I use are a Bosch power jigsaw and a 1950 vintage Shopsmith which I inherited from my Dad. I use the jigsaw for cutting out the blade from annealed 1095 stock and cutting out the hardwood for the handle. The Shopsmith is set up as a horizontal drill press for drilling the hole in the handle. This insures that the hole is parallel to the sides of the handle. If you have either a good eye or low standards you can use a vice and a hand-held drill. I also use the Shopsmith’s disk sander attachment for shaping the blades and handles.

Beveling the edge can either be done with a set of files or with a grinder. ‘Real’ knife makers use a specially constructed dual belt sander for this job. A special hand tool is used for making the slot in the handle which receives the tang of the blade. I think the traditional name for this tool is a ‘float’. The float consists of a short section of saw blade mounted in a wooden handle. The thickness of the saw blade is selected to form a slot the same thickness as the knife tang. The tip of the float is ground narrow so it fits in the hole. The float is mounted so it cuts on the pull stroke. One can also make the float from the same material the blade is made from.

The following table may seem obvious but it lists various materials and the tools which can be used to shape the

|<—————————- Tool———————————>|

*** David Boye’s book, “Step-by-Step Knifemaking”, ISBN O-87857-181-7 is an excellent reference.

E-mail your comments to “Richard A. Baugh” at richardbaugh@comcast.net

Related posts:

1. knife review | master of defense Masters of Defense came around in the late 90’s and...
2. Teddy Kardin | well known blade maker from indonesia starts from the hobby, the founder of the company by...
3. how to make a sword The process of making a sword is more than...

Related posts brought to you by Yet Another Related Posts Plugin.

while, the other side it also have a relationship on political’s policy named as “Politik Mercusuar”. (Lighthouse Political). same as the way, like sending the troops stock, “pasukan GARUDA” as peace keeping force on other countries conflict in war, joined with UNO. that’ could be as one of historical’s reference. showing performance of nations thru actionable inovatif. like a giant building statue in Bali, called as Garuda Wisnu Kencana.

watch spesification, Automatic – Ronda matic movement cal 1219. 21 jewels. gold tone. leather strap not original. diameter 38mm include crown thickness 13mm. Doom crystal. antimagnetic…shockproof..water proof. there is a little glass crack on 6 hour position.

Vintage specimen for collectible item who beloved with its naratif story….or relevancy HIStory of Soekarno. will U got the same effect ? every-one to his taste!!!!!

not only Swiss, but Indonesia also has his own watch brand, although it only becomes an antique, I hope someday there is someone developing this watch again to make it a famous brand.

Related posts:

1. u-boat classico design | wristwatch review Italo Fontana created the original U-Boat watches as a...
2. swatch wristwatch review Swatch watches are special, as they become (in time) collector’s...
3. World’s Best Airline Named, Garuda Indonesia as Most Improved One South Korea’s Asiana Airlines has been named the airline of...

Related posts brought to you by Yet Another Related Posts Plugin.

The next step is to begin your pencil sketch. With the tracing paper image as your reference and using your selected pencil variant, make a quick line sketch. I want to emphasize that you don’t really need to worry too much about detail. You are just forming your basic loose framework over which to build your painting. From time to time, toggle the tracing paper to see what you have drawn. When you have completed your pencil sketch, choose File > Save As. Remember to save sequentially.

the complete corel draw tutorial are on the following links :

http://graphicssoft.about.com/od/painter/ig/Tinting/Create-a-Sketch.htm

Related posts:

1. how to make scalloped paper No need to spend money on fancy scalloped paper for...
2. how to make a logo here some useful tips about how to make a logo,...
3. 9 Tips for Smart Daily Home Design simple home design...

Related posts brought to you by Yet Another Related Posts Plugin.

pablo picasso painting

Item: Pablo Picasso’s Nude, Green Leaves and Bust
Winning Bid: $106.5 million
Sold: 2010

All it took was a little over 8 minutes to set the record price for a piece of art sold at auction. On May 4, Christie’s sold Pablo Picasso’s Nude, Green Leaves and Bust, a painting created in the span of a single day in 1932, for $106.5 million dollars. The painting, which is of Picasso’s lover Marie-Therese Walter, was previously owned by a California philanthropist. The price beats the previous record for a piece of art, set this past February, of $104.3 million, for Giacometti’s sculpture “Walking Man I.” This is not nearly the first time a Picasso has sold for a record price, however. In 2004, the painting Boy with a Pipe (The Young Apprentice), sold for a then astounding $104.1 million.

Related posts:

1. iphone price in indonesia considered as the most expensive iphone in the world iPhone 3GS Unlock Price iPhone 3GS is available at...
2. Top 10 Of The World’s Most Expensive Watches A good watch should long outlive its wearer. The great...

Related posts brought to you by Yet Another Related Posts Plugin.

Related posts:

1. 11 unique and funny mirror design there is many great artist in this world with great...
2. unique floor design by motoi yamamoto A former dockyard worker, Motoi Yamamoto is now one...
3. how to make a logo here some useful tips about how to make a logo,...

Related posts brought to you by Yet Another Related Posts Plugin.

indonesia keep smile represent that indonesian people are kind person

jakarta in typograph

think globally act locally

lovely indonesia

indonesian batik

my motherland

broken temple

arjuna, archer

keris warrior

struggling spirit

gatotkaca

sang saka merah putih

the voiceless

and that’s all, a wonderful artwork right? 

Related posts:

1. batik | indonesian art of pattern textille Although the process of decorating cloth through the process of...
2. Indonesian Batik has a worldwide recognition The word “batik” is Indonesian in origin, even if the...
3. casual batik t-shirt trying to be designer and dreaming to make indonesian culture...

Related posts brought to you by Yet Another Related Posts Plugin.

“Don’t be reckless. Stay Safe.”

Advertising Agency: EURO RSCG Adwork, Indonesia
Executive Creative Director: Ndang Sutisna
Art Director: Aditya Agung Prakasa
Copywriter: Aldy Dewandhana
Published: December 2009, at Kalibata Train Station, Jakarta

Related posts:

1. creative indonesian artwork this several pictures are sample of indonesian artist, some made...
2. trip to pangandaran | the experience We arrived in Semarang at 4am. It’s still too early...
3. indonesian art and craft indonesian art and craft...

Related posts brought to you by Yet Another Related Posts Plugin.

there are so many logo, if you’re interested to see it just click the lonk bellow, that would inspire you in designing a awesome logo :

http://logoawards.mediabistro.com/all_logos

Related posts:

1. another creative logo that would inspire us after the creative logo that would inspire you, now we...
2. how to make a logo here some useful tips about how to make a logo,...
3. the meaning of logo we realized that logo are a representation from company or...

Related posts brought to you by Yet Another Related Posts Plugin.