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Batik Parang and Slope.

These motifs included in the court of Surakarta palace oversized uniforms, and who may use only the King and Son. The word “machete” change of the word “Pereng” or edge of a cliff in the form of “Slope” as the low plateau that forms of flat diagonal lines. Taking the basic picture of a cliff near the shore south of the island of Java, which is named Paranggupito, Parangkusumo and Parangtritis and so on.

Parang Batik hue difference and Slope:

A. Batik Parang pattern characteristics:

* Diagonal slope shape 45 °.
* Mlinjon wear.
* Sujen wear.
* There Gareng eyes.

B. The style characteristic Batik Slope:

* Shape sloping diagonal 45 °.
* Not always wear mlinjon, Gareng sujen & eyes.
* Only a limited straight line.
* Can use lung-lungan motive or interrupted by parangan form called glebegan.

Parang Batik already developed before the founding of the kingdom of Mataram Kartasura are:

* Parang Rusak,
* Parang Barong,
* Damage Parang Barong,
* Parang Kusumo,
* Parang Pamor and
* Klithik machetes and so on.

As for Batik Slope familiar include:

* Glebegan Slope,
* Thathit Slope and
* Slope Sobrah and so on.

Batik Slope style of the original style of Surakarta is bathik slope “Udan Riris” and appeared in the reign of the New Testament. III mid XVIII century. Melatar backs on the birth of this motif is a manifestation of concern after Surakarta Mataram split in two. (between Yogyakarta and Surakarta) and one consequence is not regular government conditions, there are still many improvements and concern. At that time the New Testament. III implementing teteki, one of which is soaked on the Laweyan Premulung  river flowing village near the tomb of his ancestors (Kyai Ageng Anis / parents OF Ki Pemanahan ). In the teteki he lit the kerosene lamp (light stick) and then suddenly the drizzling rain. The incident that inspired him to create patterns bathik “Udan Riris”.

Batik Cemukiran.

This motif usually used for this type of headband or called udheng / dhestar or better known as Blangkon. These patterns form the margins / field edge with a plain batik called modang. Figure batik decorating style is the flame that has meaning to reduce the power of self-centered, it contains the teaching that before we can defeat the external enemy should be able to defeat the enemy that comes from self (desires). This motif developed in the New Testament. III and should only be used Pepatihdalem and Sentanadalem.

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