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indeed angklung came from indonesia, especially came from sundanese tribe cultures that located in indonesia.

So, if the state claims that Malaysia Angklung art is a product of their fathers in the past, the question is whether in Malaysia there is the ritual ceremony or helaran such art? If there is, then what kind the sound of their traditional Angklung? If they are claimed Angklung Daeng Soetigna the diatonis, the recognition is the recognition that can not be accepted sense. What for? If true artist discover Malaysia diatonis far Angklung Daeng Soetigna before, of course Angklung Daeng Soetigna Concert held in the Asia Africa Conference (KAA) in 1955 in Bandung diprotes already exhausted by Malaysia. The fact that there is even otherwise, the Asia Africa Conference delegation felt great surprise to the musical instrument Angklung Daeng Soetigna creation of the physical appear traditional, but at the same time, as recognized by the contemporary musician Slamet Abdul Syukur in a written essay that, “Angklung, the accidental “.

Indeed Angklung art Milik Ki Sunda

http://beta.pikiran-rakyat.com/index.php?mib=beritadetail&id=3519

ART helaran “nod rengkong” which enliven “seren taun” in some areas in West Java to be evidence of the art music tradition is the bamboo society Sunda .* adang JUKARDI / “PR”

can’t be denied, Ki Sunda life in the past and at the present time is very familiar with the game Angklung pentatonis, which among others was held in helaran Seren epidemic as in the performance Rengkong nod. The show is not only held in the Village People Ciptarasa, South Sukabumi, but also held in several other areas in Bandung regency, as in Banjaran and Ciwidey.

Arts helaran nod Rengkong itself on one side associated with rice. And a so-called nod Rengkong is a bearer instrument of rice, the main load is made of leunjeuran Awi guluntungan that have been dried.

At the end of the second yoke are some of the bamboo strip, which is below bergeugeus rice tied with a strong bamboo blade to it. In short ceremonies helaran or in ritual ceremonies related to the rice, there is always the accompaniment Angklung performance pentatonis, who played exclusively.

In addition to performing arts in the nod Rengkong, in case such a tradition can Sunda also seen in the show in the Village of Angklung Badeng sanding, Malangbong District, Garut, and in a ceremony to plant rice on Kanekes, Baduy, Banten.

So, if the state claims that Malaysia Angklung art is a product of their fathers in the past, the question is whether in Malaysia there is the ritual ceremony or helaran such art? If there is, then the sound of their traditional Angklung what kind?

If they are claimed Angklung Daeng Soetigna the diatonis, the recognition is the recognition that can not be accepted sense. What for? If true artist discover Malaysia diatonis far Angklung Daeng Soetigna before, of course Angklung Daeng Soetigna Concert held in the Asia Africa Conference (KAA) in 1955 in Bandung diprotes already exhausted by Malaysia.

The fact that there is even otherwise, the Asia Africa Conference delegation felt great surprise to the musical instrument Angklung Daeng Soetigna creation of the physical appear traditional, but at the same time, as recognized by the contemporary musician Slamet Abdul Syukur in a written essay that, “Angklung, the accidental “.

Turn patent
Meanwhile, Jabar Kadisbudpar, Drs. H.I. Budhyana, M.Si. events in a discussion of the theme of “Protection HaKI Art and Tradition” in the building AACC, Jln. Braga, Bandung, recently, that the government cq Ministry of Culture and Tourism has opened selebar-tap selebarnya artists to register for art tradition in order to obtain patent rights and other rights.

“Tap this wide-open wide after a special discussion between the Minister of Culture and Tourism and the Directorate General of Law and Human Rights in Jakarta. Disbudpar Jabar given the task to record at a time to record the traditional works of art to load,” said Jabar Kadisbudpar, HI Budhyana.

More say, what dikreasi by Daeng Soetigna already deceased due to the protection of law, so families who have abandoned reasonable royalty is also obtained from the crafter Angklung diatonis. Apart from the above problems, then when Angklung have in the life of our forefathers in tatar Sunda? Design in the Science Journal Vol. No 2. 1 / 2007, Day Nugraha, Dudy Wiyancoko, and Amir Yasraf Piliang in the writings of the title “Design Angklung Traditional and Modern” notes that the early presence Angklung no existence apart from the art community in the Sunda karawitan.

Angklung has been there before the beginning of the Kingdom of Sunda established in the year 952 Saka, or 1030 years BC. This data comes from the inscription that is found in the Regional Cibadak, Kapupaten Sukabumi, West Java. Meanwhile there is also saying that Angklung already in the Kingdom before tatar Sunda Sunda Kingdom Pakuan Padjajaran or standing in Bogor. In addition, information about the Angklung there is also in the Book of Country Kertagama in pupuh 11: 7, about the use of Angklung to welcome the arrival of King Hayam Wuruk.

Beep Angklung own from time to time appear to experience growth. In the Angklung buhun, according to some experts, there are only three musical tones called tritonik. Next, the artists on Angklung zamannya develop the tone of so-called five-tone pentatonik. On the other hand, Daeng Soetigna Angklung Sunda enrich vocabulary, a way of borrowing the tone coming from there to the West in the Sunda Angklung. Angklung with the gamut diatonis that. Malaysia is now claimed as the Malay bamboo.

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